Avec l’aimable participation de la Statue de la Liberté, une exploration de l’exercice de la prostitution par des femmes blanches de classe moyenne à New York, sans sentimentalité ni jugement de valeur. Ponctué d’autres images - de l’Irlande lors de la visite du pape en 1979, ou d’un McDonalds dans un quartier populaire new-yorkais par exemple – le film porte un regard critique sur le rapport marchand entre les humains et sur le poids des discours dominants.

Vivienne Dick's last film in her New York period draws a parallel between prostitution and the desire for success so prevalent in American culture. As in her previous films, Dick uses the camera as participant, so that the film is neither commentary nor indictment but rather all the more unsettling for its frank exploration of white middle-class prostitution. The film is unsentimental in its depiction of prostitution, showing the relationships between the Madam and the call-girls, who speak frankly about their lives. Cultural references to the 1960s are made through the use of rock anthems, whilst the ultimate all-American girl – the Statue of Liberty – is seen performing a striptease.